Archive for September, 2009

First Lady Michelle Obama Tells Why Arts Matter

Wednesday, September 30th, 2009

Artinfo.com September 28, 2009

Both Barack and Michelle Obama had art on their minds at various points during last week’s G-20 summit.

Inspired by an exhibition at the Phipps Conservatory in Pittsburgh, where the Obamas held a reception at the start of the summit, the president gave glass trees made by the Frabel Studio to the world leaders in attendance. The studio is the Atlanta home of flamework glass artist Hans Godo Frabel, whose work is featured in the Phipps exhibit. The Obamas themselves were presented with a glass bowl and some glass frogs by Frabel.

Meanwhile, at a concert she hosted at the Pittsburgh Creative & Performing Arts School for its students and the spouses of international leaders, the first lady gave an 11-minute address about the importance of the arts. “We believe strongly that the arts aren’t somehow an ‘extra’ part of our national life, but instead we feel that the arts are at the heart of our national life,” she said. The power of the arts, she added, is “to remind us of what we each have to offer, and what we all have in common; to help us understand our history and imagine our future; to give us hope in the moments of struggle; and to bring us together when nothing else will.”

Join us at the 3rd Annual Tranquil Space Foundation Gala

Thursday, September 24th, 2009

TSF-Gala-Card-Front-PRINTER

3rd Annual Tranquil Space Foundation Gala
Steptoe and Johnson
1330 Connecticut Avenue
Washington, DC
7-9 pm

Authentic Contemporary Art is helping the Tranquil Space Foundation celebrate their third year of bringing yoga, creativity, and leadership to women and girls around the globe by donating artwork from local women artists for this special fundraiser.

Tickets are $30 and are available at Tranquil Space yoga studios in Arlington, Dupont, and Bethesda and online. Ticket presales end online October 5th. Tickets will be available at the door for $40.

This year’s festivities include:
* Creativity celebration: belly dance performance
* Yoga demonstration
* Second annual TSF Awards for service to women and girls in the areas of creative expression and leadership development.
* Wine reception
* Silent auction
* Gift for first 30 guests

To learn more about the Tranquil Space Foundation and to order tickets for this event, visit tranquilspacefoundation.org.

Visual Artists and Creative Entrepreneurs Bootcamp

Thursday, September 24th, 2009

creativebootcamp

 

Saturday, October 10th & Monday, October 12th; 1-5 pm both days

Ward 7 Arts Collaborative, 4645 Nannie Helen Burroughs Ave., NE, Washington, DC 20019

Register online: http://creativebiz.eventbrite.com or call 202-399-1997

Costs: $20 and includes all workshop materials, workbook, and snacks throughout the day.  This non-refundable fee will be donated to the Ward 7 Arts Collaborative to help support their artist education initiatives.

Join EAB Creative Planning Services, LLC and Ward 7 Arts Collaborative for the Creative Entrepreneurs Bootcamp! 

Topics you’ll learn include:

  • Create a mindset that supports success a creative entrepreneur;
  • Create a “Creative Cosmic Business Plan”;
  • Simplify financial planning, and create an initial financial plan that focuses on both your personal and business finances;
  • Create systems and processes that work for you as a creative entrepreneur;
  • Strategize ways to generate wealth from your creativity.

Questions: email info@eabplanning.com or 202-277-0954.  Visit http://eabplanning.com and www.w7aconline.org for more information.

New ArtCast: Artist as Advocate featuring Milton Bowens

Thursday, September 17th, 2009
Milton Bowens

Milton Bowens

We are continuing our new series called Art and Change, which will focus on how the visual art world to helping to change society, whether on the community level or internationally. Our topic for today is Art and Adovacy. Our guest is Milton Bowens, a Calfornia based artist, radio personality and activist.

Milton began his formal art training at the Renaissance Art School in Oakland, CA during his junior and senior high school years. On completion of High School, he was awarded a scholarship to attend the California College of Arts and Crafts, but enlisted in the United States Armed Forces and became an Illustrator. He received his Associates Degree in Commercial Art under the Army’s College Education Assistance Program. Bowens continued his education in the Arts, attending both Austin Peay State University, TN and Fayettevile State University, NC while serving his tour of duty in the military. During this time, Miltons’ work was collected by two of the military’s most prestigious museums: the John F. Kennedy Special Warfare Museum, Fort Bragg, NC, and the Don F. Pratt Memorial Museum, Fort Campbell, KY.

After serving his tour of duty, Milton returned to the Bay Area and continued his art training under the mentorship of fine artist David Bradford, Head of the Art Department and lecturer at Laney College, Oakland, CA. Inspired by such greats as Jean Michel Basquiat, Robert Rauschenberg, Romare Bearden, Jacob Lawrence and Andy Warhol, Bowens changed his focus from illustration to fine art. He has evolved into a significant figure in the Bay Area art scene, not only as an artist, but also as a powerful speaker and art activist. Bowens has been the subject of over twenty solo exhibitions since 1992, and has participated in numerous group exhibitions. His work can be found in numerous public and private collections.

During this no holds conversation, we explore a special project that Milton has been involved with youth in the Richmond, California area. Below is an essay regarding that experience in Milton’s own words.

To learn more about Milton’s artwork and the “Welcome to My Global Hood Project”, visit http://www.milton510.com

You can listen to this podcast through i-tunes ,the podcast home page here or download the MP3 here.

"Universal Passport", mixed media on canvas, 26"x 40" copyright Milton Bowens

“Universal Passport”, mixed media, from the “Welcome to My Global Hood” Series, copyright Milton Bowens

“Welcome To My Global Hood” What is Environmental Justice?
Arts Change – Artist in Residency 2009 Richmond, CA by Milton Bowens

What is environmental justice? What is fine Art? How do these two things work together to empower, youth, community and the world abroad? Eye believe fine art is a singular construct made because it must be made, not just to fill a need in any particular market. Eye also, believe environmental justice is not just a slogan or metaphor but a right to ensure that the next generation inherits a healthy planet.

In response to the rapidly changing global crises, eye thought it was long overdue to address some of the more urgent issues from a fine artistic urban perspective. After posing the question “What threatens your environment”, to a group of more than fifteen inner-city children of varied backgrounds, ages and cultures from Richmond, CA and surrounding communities, eye received the same answer. Violence!

Not at all shocked by the response, eye understood that if eye started to talk about global warming and the dangers it presents, and how art could help change the way we see it, eye would be talking at and not with this young audience. So instead eye listened, with the goal of mapping out a visual story line that would ultimately become a blueprint for urban environmental artist activism.

Before these youth could truly become motivated and excited about creating Art and being a part of a global movement towards environmental change, like starvation and disease in Africa or protecting the Rain Forest, Polar Bears and Ice caps, we must first deal with the issues they face at home. I used Art as the tool to not only spark creativity and conversation but to help the Individual making the Art deal with his or her own individual fears. Art Heals.

Art and Social Change is a funny thing….once you’ve done it you can’t take it back. By reflecting on when you started, how you thought, how you felt and then the process of just how much you can grow and evolve in a short span of time, does something to the Artistic creator. It gives that Individual a sense of value that plays an important role in building ones self-esteem. It gives a voice.

When my students saw firsthand, that gang violence in Richmond, CA is no different than the violence in the Middle East or poor drinking water in the Bay isn’t any different than that abroad, or how the severity of today’s natural disasters are not unique to just this country, the light came on. Once that happens in a young person’s mind, it’s hard, if at all possible to turn it off.

They began to realize they are a part of a global community. This becomes the opportunity, the bridge that promises insight from a very different perspective, which ultimately leads to a uniquely thought out and timely body of work.

The goal for this body of work is to re-ignite the fire in the activism doldrums, visually doing away with that “we’ve heard it all before” attitude and to refocus artist, art collectors, art patrons and exhibition spaces on the power of art and its ability to spark change! And bring about real tangible action and not just talk, simply by being the visual witness.

Eye, extend a Heart-felt, sincere invitation to all viewers to take a little time and stroll with me through My Global Hood. Eye, welcome you! Then ask yourself the question can you see what Eye see? -Milton 510 Bowens

 

Explore the arts every Third Thursday of the Month and Support Youth

Wednesday, September 16th, 2009

wsaconnection

THIS THURSDAY:September 17th, 5:30 – 7:30 pm

Explore the arts every Third Thursday of the month with the local community and Support local youth.

WVSA is located at the corner of 16th and L Street NW in downtown Washington, DC. Starting September 17, 2009 every Third Thursday from 5:30 -7:30pm there will be a unique arts event. Kicking off the Fall Season with a local DC artist, Leila Holtsman, WVSA is striving to create an opportunity for established and aspiring artists to educate local youth and share their art with the local community.

If you are unfamiliar with WVSA this is the perfect opportunity to visit the gallery. WVSA ARTs connection (WVSA) is a unique non-profit organization providing multiple creative environments, opportunities, and experiences for children and adults through arts-infused educational and vocational programs. There will be an opportunity to meet the staff, artists, as well as enjoy whatever fantastic event is going on that Thursday.

Leila Holtsman is starting this monthly event with a DCCAH-supported gallery opening. For the last decade, Leila Holtsman has created mixed-material sculpture, site murals, and ceramic objects for private clients and exhibitions. Born in Washington, DC, Holtsman spent ten years of her early life in the deserts of Jordan and Saudi Arabia, and this formative experience influences her interest in natural forms and earthen palettes to this day.

Leila states in her own words: “I make low-relief surfaces that evoke displacement and change, alluding to the passage of time. Through the manipulation of materials-forming clay into abstract shapes, printing layers of images and giving steel panels over to rain and other elements-I make objects that call to mind forces that fade memories and recycle once-living things back to the earth.”

The Gallery and Artist Reception will take place from 5:30-7:30pm on Thursday September 17, 2009. All artwork will be available for post-event viewing and purchase. WVSA is located at the corner of 16th and L Street NW, and the gallery is open Monday through Friday, from 10 a.m. — 6 p.m. For more information about Third Thursdays, and Leila Holtsman, visit www.wvsarts.org.

Say My Name screening and Women in Hip-Hop Beyond Misogyny

Wednesday, September 16th, 2009

Saturday, September 19, 2009
12:30pm – 2:15pm

FREE

Lincoln Theatre
1215 U Street, NW
Washington, DC
Metro: U St/African-Amer. Civil War Memorial/Cardozo (Green Line)
Email: goldie@wblinc.org

Traditionally, hip-hop scholarship and commentary has focused on the misogynist and sexist nature of the cultural product. Debates ranging from the treatment of the video girl to Nelly’s “Tip Drill,” have characterized the way the community most effectively discusses sex. For the forthcoming issue of the bi-annual publication, Words. Beats. Life: The Global Journal of Hip-Hop Culture, “Sex and Hip-Hop Beyond Misogyny,” WBL invited scholars, students and practitioners to submit papers related to nuanced takes on gender and sexuality within hip-hop.

This panel will bring together voices from their upcoming “Sex” issue (January 2010 release) and artists (MCs, b-girls, etc.) to discuss the female voice in hip-hop and beyond. Before the panel, check out the DC premier of Say My Name (winner of the Bootleg Festival Jury Award).

Part of the Words, Beats and Life “Bootleg Festival” Festival pass holders will be given priority seating/entry to this event.

Speakers: Hanifah Walidah (scholar/artist), RatheMC (local emcee), Toni Blackman (scholar/artist), Maimouna Youssef (singer/songwriter), Iona Rozeal Brown (scholar/artist), Aysha Upchurch (hip-hop dancer) and Roxanne Shante (pioneer emcee)

Moderator: Goldie Deane, DC Urban Arts Academy Director/Playwright

Why do people visit art museums?

Monday, September 14th, 2009

Artmuseum
Image: Copyright Ed Schipul / Flickr

Modern Art More Likely to Stir the Heart
By: Tom Jacobs, September 11, 2009
Miller–McCune Inc.

Why do people visit art museums? The answer depends on the type of art on display.

Viewing works of art engages both the mind and heart. But whether a museum visit is primarily an intellectual or an emotional activity depends upon the type of art on display, and the era in which it was created.

That’s the conclusion of a study from the University of Rome, just published in the journal Psychology of Aesthetics, Creativity and the Arts. The research team, led by Stefano Mastandrea, reports that visitors to a museum housing ancient art tended to describe their experience in cognitive terms, while those at a modern art museum were more likely to report they were emotionally engaged.

The researchers surveyed 137 visitors to two lesser-known art museums in the city of Rome: The Braschi, which features work from the mid-1500s to the mid-1800s, and the National Gallery of Modern and Contemporary Art, which contains work dating from the late 19th to the mid-20th century. Participants leaving the museums filled out questionnaires in which they described their motivation for visiting that day and answered questions designed to determine what personality profile they fit into.

The majority of visitors at both museums were women, although those at the modern art museum were on average 10 years younger than those at the ancient art museum. Education levels at the two locations were quite similar.

Asked their motives for visiting the museum, visitors at both institutions gave similar answers: The top reason was either “interest in the artists” or “to see the artworks in the original.” More interesting were the second-most-frequent responses: At the modern art museum, patrons listed “the pleasure they feel during their visit,” while at the ancient art museum, they chose “the desire for cultural enrichment.”

Members of both groups scored high on the personality trait “openness to experience,” but those at the modern art museum scored significantly higher on the “sensation-seeking” trait. When presented with a list of 10 emotions and asked which of them were elicited by their visit, they scored higher on every one than their counterparts who had viewed 17th- and 18th-century art.

“People who go to modern art museums are willing to go in search of sensation more than people who go to ancient art museums,” the researchers conclude.

The good news for museum administrators is that no matter whether they were in search of intellectual or emotional stimulation, the vast majority of visitors reported they were satisfied with their experience. “Whether ancient or modern art museum,” the researchers write, “they liked their visit very much.”

Died Young, Stayed Pretty @ Corcoran

Monday, September 14th, 2009

Diedyoungstayedpretty

Corcoran Gallery of Art
500 Seventeenth Street NW
Washington, DC 20006
(202) 639-1700

Thursday, September 24, 6:30 p.m.
Members: $10; Public: $12

To register, click here.

Died Young, Stayed Pretty is a candid look at the underground indie-rock poster culture in North America. In this unique documentary, director Eileen Yaghoobian offers an intimate look into this modern subculture, revealing the little known world of rock poster giants such as Art Chantry, Brian Chippendale, the Ames Brothers, Print Mafia, and Rob Jones. Yaghoobian introduces the film.

Art Salon @ Anacostia Art Gallery this Thursday

Monday, September 14th, 2009

DCArtssalon917

Join the DC Commission on the Arts & Humanities for Art Salon–
a monthly convergence of artists, techies, green-collars, art enthusiasts, bloggers and educators that are creating the momentum for the new era of art.

Art Salon is modeled after the salons of the late 19th century
to inspire and provoke the minds of the creative community.

Art by Corcoran Artreach, THEARC, Jonathan French, Jahi Foster-Bey and Rik Freeman

Music by DJ Adrian Loving

Thursday September 17, 7-9pm

Each month, we gather at a different location.
This month, we converge East of the River @ Anacostia Art Gallery
2806 Bruce Place, SE Washington, DC 20020

Metro: GREEN LINE – Anacostia

COMPLIMENTARY SHUTTLE

@ 6:30 from Dupont Circle on Massachusetts Ave., NW (across from PNC Bank) or 7:00 and 7:30 from Anacostia Metro (GREEN LINE)

Complimentary Shuttle Service provided by U Street Parking
For more info on shuttle locations and to RSVP, contact:
dccahevents@gmail.com

African-American Museum Director Looking Far and Wide for Artifacts

Sunday, September 13th, 2009

PDN News, September 12, 2009

Although the National Museum of African American History and Culture is not scheduled to open until 2015, founding director Lonnie G. Bunch III has already received hundreds of documents and artifacts that will help convey the African-American story to the public, the Washington Post reports.

When the $500 million museum opens in a new facility on five acres near the Washington Monument, it will include artifacts such as a trumpet once owned by Louis Armstrong, a Jim Crow railroad car, and the original coffin of Emmett Till, the 14-year-old boy killed in Mississippi in 1955 whose battered body in an open casket became a pivotal rallying cry for the modern civil rights movement. To collect these and other items of significance, Bunch and his curatorial team have cast a wide net, holding community meetings in cities around the country where members of the general public can discuss their expectations for the museum and share mementos of that past.

“The exhibitions and opening the building are the priorities,” Bunch told the Post. “Much of the twentieth-century and some of the nineteenth-century materials are in people’s attics and basements and homes.”

Part of the challenge in establishing the museum is determining which stories need to be told. For example, Bunch is not quite sure yet how to discuss slavery, but his wish list of artifacts includes a slave cabin and at least part of a slave ship. He’s also interested in charting the transition from slavery to the quest for education, and his wish list includes a one-room schoolhouse or classroom interior from one of the schools funded by twentieth-century American businessman and philanthropist Julius Rosenwald.

Of course, because the museum is part of the Smithsonian Institution, the staff also has access to a Fort Knox of artifacts, from paintings at the Smithsonian American Art Museum to sports memorabilia at the National Museum of American History. “We will purchase as a last resort,” Bunch said. “I don’t want to make the market unbalanced. But it is nearly impossible to get slavery material and great masters otherwise.”

Source: Trescott, Jacqueline. “Piecing Together a People’s History.” Washington Post 9/04/09

FacebookTwitter