Archive for December, 2009

Happy Holidays/End of Year Thanks

Sunday, December 20th, 2009

Holidaybanner

Just a note to say that we appreciated your support throughout 2009!

We especially thank all of the artists we worked with and our co-sponsors this year who we participated in awesome creative events including EAB Creative Planning Services, Lil So So Productions, and Liberated Muse Productions.

Next year, Authentic Contemporary Art will be celebrating our 5th Year Anniversary in creating visual arts events and promotion in the Metro Washington, DC area. Woo Hoo! :-)

Join us in 2010 as we:

- Host some awesome exhibitions in new venues with some of the DMV’s cutting edge emerging artists;
- Offer some new online courses for collectors and artists (see below);
- Continue to interview personalities and share news about what’s happening in the local, national and international contemporary art scene.

For those of you in and outside the DMV, we plan to unveil some on-line e-courses such as:

- Decorating with Art: We will team up with Design Scheme Interiors, LLC to help you make a visual statement with original art in your home!
- Social Media 101 for Artists: Blogging, Twitter, Linked-In, Facebook, etc. confusing to you? Want to make a more effective on-line presence for your artwork in 2010? This series is for you!

We appreciate all of you who have followed us on our DC Fine Art Examiner column, Facebook and Twitter this year and if you haven’t joined us, please do!

Best wishes for a Safe and Happy Holiday Season!

Sharon J. Burton
Authentic Contemporary Art

A Snap Shot of Public Participation in Visual Arts

Sunday, December 20th, 2009

On Thursday, December 10, 2009, The National Endowment for the Arts released the 2008 Survey of Public Participation in the Arts, which is a periodic survey that tracks adults’ reported levels of arts engagement. On December 10, 2009, the Arts Endowment hosted a three-hour roundtable discussion about the the 2008 Survey of Public Participation in the Arts. Representatives of national arts service organizations, state and regional arts organizations and NEA’s discipline directors joined Arts Endowment Senior Deputy Chairman Joan Shigekawa in this discussion of the Survey. You can view and listen to the discussion here.

The survey’s

“core questions” ask large, nationally representative samples of the U.S. adult population about its attendance at seven types of performing arts event: jazz; classical music; opera; musicals; non-musical plays; ballet; dance “other” than ballet; and Latin, Spanish, or salsa music, a new category in 2008. American are also asked about their reading of literature and their visits to art museums or galleries, art and craft fairs, outdoor performing festivals, and parks and historic sites. Additional questions seek to know whether adults create or perform art of their own, whether they take arts classes or lessons, and whether they do a wide range of other leisure activities not necessarily involving the arts.”

Owning Art

Below are some interesting highlights of the survey results regarding owning any original pieces of art, such as paintings, drawings, sculpture, prints, or lithographs (Pg. 49 of the report).

-In 2008, 20 percent of adults (46 million Americans) reported owning original art.

-Of the 20 percent of adults who said that they owned original art in 2008, about one-third had purchased or otherwise acquired original art during the past 12 months.

-About one-third of respondents in households with income of $75,000 or more per year owned original art (10 percent had purchased art in the past 12 months).

-Owning original art is also highly correlated with years of formal education.

-People ages 45 to 64 are more likely to own original art than people of other age groups.

-People ages 25 to 34 were among the most likely to report purchasing art in the past year, but among all age groups, they formed the second-lowest percentage of owners of original art.

Art Museums and Galleries

The report also provided some interesting stats on adult attendance to art museums and galleries, especially in demographics.

-In 2008, 51 million people visited an art museum or gallery at least once.

-About 55 percent of people who went to art museums or art galleries in 2008 were women.

-Approximately 54 precent of 2008 art museum-going adults had a college or graduate degree. Adults with a high school education or less represented 18 percent of art museum visitors.

-About 26 percent of non-Hispanic whites, 15 percent of Hispanics, 12 percent of African Americans, and 23 percent of adults in other racial/ethnic categories (largely Asian American and Native Americans) visited an art museum or gallery in 2008.

-More than half (52 percent) of U.S. adults with a graduate-level degree visited an art museum or art gallery in 2008. That is, more people in this demographic group visited an art museum or gallery in 2008 than did not, a trend that is unique among benchmark arts activities.

-About one-quarter of adults ages 18 to 64 visited an art museum or gallery in 2008. The attendance rate drops sharply for adult older than 75 years.

-Residents of the Pacific region (West Coast) were among the most likely to go to art museums or galleries in 2008.

-Crossover of art museum attendance and attendance at other art activities were notably high. At least 50 percent of attenders at jazz, classical music, Latin music, opera, ballet, other dance, craft fairs, performing arts festivals, and historic sites also visited an art museum in 2008.

-Approximately 69 percent of adults who purchased original art within the last year also visited an art museum or gallery in 2008.

Interested in the survey results for other areas of the arts and how they compare with the last survey (completed in 2002)? Check out the report here.

DC Wants Your Input About the Arts

Saturday, December 19th, 2009

wewantyourinput

The DC Commission on the Arts and Humanities has engaged the national consulting firm AMS to help outline a draft of a Five Year Strategic Plan, which is now available online for your consideration.

Community leaders, grantees, artists, educators and fellow Washingtonians have contributed to this draft. Now they are asking you to submit your comments and concerns online.

Please submit all comments to ams@ams-online.com.

The deadline for public comments is Friday, January 8, 2010

How to Give a Thoughtful Gift to an Arts Lover

Thursday, December 10th, 2009

By Sherri Athay, ehow.com

With paint-by-number simplicity, you can put your signature on a masterpiece for the arts lover. Whether her love is opera, theater, symphony, ballet, or the masters, you’re sure to find inspiration in the gift ideas below.

Step 1: Sponsor her membership in a museum or gallery society. Memberships generally include such privileges as free admission to the museum or gallery, discounts on purchases at its shops and through its catalogs, and subscriptions to the society’s publications.

Step 2: Give tickets to a symphony, opera, ballet, or gallery opening he would like to attend.

Step 3: Give books from—or about—her favorite art galleries or the galleries she dreams of someday visiting.

Step 4: Arrange for participation in, or attendance to, an art festival.

Step 5: Enroll her in a course to study the masters or other artists in whom she has an interest.

Step 6: For a generous contribution in the name of the arts lover on your gift list, you might be able to arrange for attendance at a dress rehearsal and a special reception with the stars; a theater seat named after him; an opportunity for him or her to conduct a symphony; a private performance or entertainment for a social event

Step 7: Give him a reproduction of a work of art he favors or a signed, limited-edition lithograph from a favored artist.

Step 8: With a huge selection of art books, you should be able to find the perfect one for any arts lover on your gift list.

Why Business Leaders Should Act More like Artists

Wednesday, December 9th, 2009

Tuesday December 1, 2009
by John Maeda, Harvard Business Publishing

Stereotypes abound about artists: they range from the mild (“they have fuschia-colored hair”), to the absurd (“they starve,”), to the disturbed (“they do things like uncontrollably peeing in the fireplace as depicted in the popular movie Pollock.”). Granted I know artists with wild-colored hair and others who are certainly struggling to make ends meet, but they all choose to use the restroom. I’ve also met artists who are quite plain-looking and plain-acting CEOs, lawyers, stockbrokers, and scientists.

Even as someone who has worked to weaken some of the sillier stereotypes about creative types, I must admit that I’ve carried a few stereotypes around myself. In particular, I’d always believed that artists are much like the kind of geeks I grew up with at MIT — passionately focused on their work with little regard to their own physical or financial circumstance, and often more comfortable working as a lone constructor instead of as a collaborative player on a larger team.

So when I observed RISD students exhibiting the classic “lone wolf” traits of this kind of “creative geek,” my mental model was confirmed. But when I recently spoke with two RISD textile entrepreneurs in Chicago about this stereotype, my mind fortunately re-opened.

The three aha’s I received from my conversation with partners Robert Segal and Alicia Rosauer were:

1. Artists constantly collaborate. The example given was the common occurrence of an exhibition with multiple artists showing together, or the so-called “group show.” Even in the context of a solo show, the artist works with the gallery owner, the curator, the framers, the installers, the lighting person, the publicist to bring their vision to life. Every exhibition is a collaboration to the nth degree.

2. Artists are talented communicators. The whole point of a work of art is to communicate something — a thought, an idea, a feeling, a vision. More explicitly, the artist frequently gives a talk to explain the thought process behind the artwork. Engaging the audience in a meaningful, expansive dialogue is often critical to the exhibition’s success.

3. Artists learn how to learn together. Perhaps the reason why artists collaborate and socialize so well is that they learn in the studio model — ten or more students in the same room for hours on end. Bonded together in a personal space of intimate self-expression, they come into their own through the familial ties of the studio setting. When interviewed recently about the differences in her education at Brown and at RISD, one student who is getting a dual degree from both institutions said, “At RISD there’s a lot of learning from your peers. Brown (in the classes I’ve taken so far anyway) is about listening and note-taking in class.”

Whether they explicitly acknowledge themselves as leaders or not, artists often move others to follow them — into neighborhoods, into a new a social movement, or even just a dialogue.

They do it through the skills that are inherent in their work as professional “inspirers” and provocateurs. Sure, some artists might be introverts and some extroverts, but through their art, they act as creative leaders in their boldness to often express a point of view as the naked truth.

We’ve all seen the business world increasingly crave an approach that balances values with profits. One natural way to do this is to adopt an artist’s point of view; the honesty and integrity that artists naturally bring to their work will be increasingly relevant.

Arts Groups Happy to Have a Friend in White House

Wednesday, December 9th, 2009

PND, December 9, 2009

As he nears the end of his first year in office, Barack Obama can count the largest infusion of cultural funding in decades as one of his signal achievements, the Associated Press reports. And though arts advocates say it is still less than what is needed, they are hopeful the president will manage to transform arts policy, funding, and education in the United States for years to come.

Since his inauguration, Obama has hosted a variety of musical performances and workshops at the White House featuring classical, jazz, Latin, and country music. At the same time, the administration has secured $100 million in new funding for the arts, including a one-time $50 million infusion from the economic stimulus package to preserve arts-related jobs around the country.

While arts supporters had hoped for a greater financial commitment from the administration, the increases are viewed as significant and symbolic of the president’s support. At the National Endowment for the Arts, chairman Rocco Landesman, a former Broadway producer, has said he would like to resume making grants to individual artists — a practice that was ended during the culture wars of the 1990s. But with the NEA budget well below its 1992 high-water mark of $176 million, the agency is likely to hold off for the time being.

In pressing for a restoration of funding, Americans for the Arts, a leading advocacy organization, has emphasized the economic impact of the arts and culture sector, which today employs nearly six million people at a hundred thousand nonprofit art groups — up from just seven thousand half a century ago. Federal funding helped fuel that growth, said AfA president and CEO Robert Lynch, by leveraging additional public and private support for the arts. “It’s been so successful over the past fifty years,” said Lynch. “It’s good business sense for there to be a bigger investment.”

“Capital Culture: Obama Drops Cautious Arts Policy.” Associated Press 12/08/09.

The “Art” of Thanksgiving

Saturday, December 5th, 2009

Last month, DC Commission on the Arts and Humanities invited local DC artists to provide some love to the Sasha Bruce House. This video, from the Commission, highlights their efforts to make the day brighter for a few of the District’s residents.

HIV/AIDS: Voices of Love & Pain #WAD09

Tuesday, December 1st, 2009

In observance of World AIDS Day……Authentic Contemporary Art hosted a forum on Saturday, June 27, 2009 that focused on the role art plays in the prevention and treatment of HIV and AIDS. The forum was held at Artomatic in Washington, DC in recognition of National Day of HIV Testing. The video features members of The Saartjie Project, a performance art ensemble based in DC, sharing poetry on their personal experiences with facing the epidemic among their peers.

See how some of DC’s art community is raising awareness here.

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