Posts Tagged ‘Harlem Renaissance’

Reminder: Harlem Renaissance Inspired Artwork Still Available by James Terrell

Monday, May 3rd, 2010

All that Jazz
All That Jazz, acrylic on canvas 22 x 22, by James Terrell

Did you miss When Harlem Came to Paris in March? Want to find out more about purchasing the art that was created especially for the event by the talented, James Terrell?

We have the remaining artwork available on-line for bidding! That’s right, the pieces that were not sold are still available for purchase, with a percentage being donated to the Anne Bujon Educational Initiative of the Alliance Francaise de Washington which provides educational outreach to DC Public Schools.

Visit the When Harlem Came to Paris online auction here to bid and purchase one of the hot pieces available for sale!

Art and Influence: An Interview with DC Artist, James Terrell

Wednesday, March 17th, 2010

As we approach When Harlem Comes Paris, the unique event that celebrates the culture and art of the Harlem Renaissance’s presence in Paris in the 1920s, we sat down to talk to the featured visual artist for the event, James Terrell about his unique artistic approach to defining this historical period.

Figurative painter, singer, songwriter, guitarist, and pastor James Stephen Terrell is a true renaissance man. He is the recipient of a BFA from Howard University, an MFA from Parsons, and a Masters of Divinity Degree from the Union Theological Seminary. James Stephen Terrell has taught throughout the city and lectured at Union Theological Seminary, Howard, Second Baptist Church, Martin Luther King Memorial Library, Corcoran School of Design, and the Sumner Museum. His paintings have appeared in solo and group exhibitions in Washington, D.C, New York City, and New Jersey, the latest of which was at the Smithsonian-Anacostia Museum. To hear James’s music and see more of his art, visit www.myspace.com/crucifiedtothecrossroads.

AV: When did you know that you were an artist?

James: I always wanted to pursue Art.

I was always a creative person, and I inherited my talent from my father who studied Art in college but pursued Religion as a profession. The house where I grew up had fine art on the walls. Growing up in DC, I studied the piano, clarinet, and guitar. But it was not until I enrolled in Pace University for Business Management that I realized that I had to paint, draw, and perform music. Howard University (where I received my BFA ) and Parsons School of Design (where I received my MFA) allowed me to develop and combine my artistic talents.

If I did not pursue art, I would have become spiritually miserable. If I did not expand my knowledge of art through spiritual study, I would have been lost in a sea of worldly confusion. Art give me the opportunity to tune out the world for a moment and meditate on my life experiences. Art allows me to express my concerns and the concerns of humanity. Art has helped me learn about and appreciate other cultures.

Art has expanded my mind, Art is not an easy discipline to master. Art incorporates math, history, reading and writing. Art is commentary on ones environment. Art is an examination of humanity as well as the soul. Although different streams of consciousness, ethnicity, and spirituality exist within all of humanity, the different forms of painting I create convey and explore the concerns, joys and beauty that exist within all of humanity.

Every piece of Artwork I creating is more then just a painting. My artwork is written with color, line, and shapes and can be read by the eye and interpreted by the spirit.

.Picture 44
James Terrell talks about his art during pARTake on March 1, 2010.

AV: How would you describe your artistic style?

James: My art is very linear. It is figurative art. It is art that allows one to take a moment and think about my surroundings.

My art is filled with vibrate colors and various types of line. The art I create is representative of the reality, which lies beneath the natural, physical appearance of the human existence. My paintings are historical, political, psychological, musical and emotional. Art seeks to dig up a deeper understanding, which exposes the truths of life. My art is a visual language, which is devoted to depicting the visual contemplation of the human experience. My art is a doorway, open to expressing various levels of human emotion and thoughts through the forms of pattern, texture, shape, line, shade, and color.

AV: Who or what has been your biggest influence as an artist?

James: My father Rev. Dr. James E. Terrell has been my major influence in art. He told me not to limit myself to just art. He told me to look at everything with an artistic eye.

My mother, Judge Mary Ann Terrell, of the DC Superior Court and founder of the High Tea Society (a non-profit organization for DC teens) who works countless hours and dedicates her time to helping better our community, told me to never give up on my art. My mother encouraged me to use my art as a way to help the youth better express themselves. My mother told me to use my life experiences to create. My mother told me to use my painting to document not just my growth but the growth of my

As an Art teacher in the DCPS School system the youth have also influenced my art.

I am able to reach out to the youth and show them how to use their creativity to change their mood. Art is important because it allows the youth to express many of the issues confronting them today in a positive manner. The Youth show me what they feel to be relevant in art now and at this point in our lifetime.

The electric energy released through the music of Jimi Hendrix is also an influence on my use of color and line in my art.

AV: What are some of the challenges or mistakes that you have experienced as an artist and what did you learn from it?

James: You have to meet people who can help you. Not everybody who likes your art can help you promote it. You cannot take to heart the advice of those who think they know what you want as an artist. You have to know exactly what you want as an artist or people will take advantage of you and your art. As artist you have to be in control of your art. In order to promote your art you have to go to reliable sources and reliable people who genuinely want to help promote your art and not the idea of what they think an artist or your artwork should be.

AV: Who is your favorite Harlem Renaissance visual artist and why?

James: I like the art of Romare Bearden. His colleges are like puzzles that when pieced together form a timeless glimpse into the African American experience.

I also like the art of William H Johnson. He was classically trained and could draw and paint realistic figures but he choose to create a style with vibrant colors and simplified figure to express the history and culture of African Americans in the south and in the north.

AV: What are your thoughts on the DC visual arts scene?

James: The DC Art Scene is starting to expand. There are a lot of new places to show at in DC. DC has a new energy. So much has changed in DC, from the people to the venues that showcase art and music. DC seems to be more supportive of the arts. Some of the area galleries still are not showing work of true contemporary artist of the DC area. Art needs to be seen by the public. Let us all thank the internet and internet galleries like Authentic Contemporary Art for being a creative avenue and outlet that allows art of known, unknown and emerging artists to be seem by the more of the public.

To view some of Terrell’s artwork available for sale for When Harlem Came to Paris, click here.

Highlights of pARTake: We Remember Harlem

Tuesday, March 2nd, 2010

Check out some photos of pARTake: “We Remember Harlem” which was held last night here.

New Podcast: “When Harlem Came to Paris”- An Interview with Risikat “Kat” Okedeyi of LiL So So Productions

Monday, March 1st, 2010

kat_self
Risikat “Kat” Okedeyi of LiL So So Productions

Welcome to our second podcast for the year 2010. For the month of March 2010, we are focusing on the third annual When Harlem Came to Paris, which will be held Saturday, March 20, 2010 at the Alliance de Francais in Washington, DC.

For the third year, LiL So So Productions will be presenting this unique event celebrating the art, culture and personalities of the Harlem Renaissance and their presence in the City of Lights- Paris, France. This will be the second year that Authentic Contemporary Art will be involved in this event.

For this podcast, we have invited Risikat “Kat” Okedeyi to talk about the origins of this exciting event with us. Kat, the founder of LiL SoSo Productions (LSP) touts a name as melodical as the events she has gained notoriety for. Her Maryland-based company specializes in event concept production and artist management, with an international flair, a throwback to her Nigerian/American roots.

According to Kat, “On August 13, 2004, I quit my job as a trade association director to pursue this destined path full-time. The Creator told me it was time to take the leap of faith and I not being one to argue with the likes of the Creator did as I was told. So far, so good. I haven’t missed a mortgage payment, and my lights are still on. I am on the slow build, and I am grateful.”

Her cross-cultural upbringing has allowed her diverse insight, evident in her endeavors. She has created a series of signature cultural events including: “When Harlem Came to Paris”, and “Black President’s Day”, a birthday tribute to the King of Afrobeat, Fela Kuti. A little closer to home, she is also the creator of “Soul Overdose”, an interactive live music concert featuring independent and emerging artists and “In the Artist’s Studio” a candid discussion and performance event, with industry tastemakers including artists and producers.

LiL So So Productions was founded as a tribute to Kat’s younger sister and muse, Sofryat aka “Lil Soso”, who passed away at the age of 15 in June 2001. Kat holds a Master degree in African American History and Literature and in addition to LSP, teaches at various local community colleges and is a practicing herbalist.

For more information about Lil So So Productions, visit http://www.lisoso.com. For more information about When Harlem Came to Paris, visit http://www.harleminparis.com.

Down load and listen to the conversation here (or the podcast player on the right column of this blog).

TONIGHT: pARTake “We Remember Harlem”

Monday, March 1st, 2010

partake2_web
pARTake: Remembering Harlem
A “When Harlem Came to Paris” Pre-Event
Panel Discussion/Art Preview/Reception

March 1, 2010
6pm – 9 pm

Alliance Francaise de Washington
2142 Wyoming Avenue, NW-WDC
Free & Open to the public

Lil SoSo Productions, Authentic Contemporary Art and The Alliance Francaise de Washington invite you to rediscover the art and culture of the Harlem Renassiance and its affect on Parisian culture at pARTake: We Remember Harlem. This pre-event to the 3rd Annual When Harlem Came to Paris, sponsored by Lil So So Productions, will feature a panel discussion about the legacy of the visual art and fashion of this exciting moment in history.

Moderated by Sharon J. Burton, creator of the “pARTake” series and founder of Authentic Contemporary Art, a panel discussion featuring LiL SoSo Productions, Alliance Francaise, artist James Terrell and more, will offer some insight into the pull of the Harlem Renaissance and why its relevance is so long lasting.

Attendees will also get the chance to preview a few of the artworks that will be featured for auction at the main event March 20th by artist James Terrell and visit the WHCTP Style Corner with hand-made cocktail hats by milliner Crystal Little and tips from stylist Sharon Cyrus and make-up artist Evelyn Bandoh.

Seating is limited, to RSVP, click here.

Swann’s African-American Art Auction Soars

Thursday, February 25th, 2010

Malvin Gray Johnson
Malvin Gray Johnson’s “Swing Low, Sweet Chariot,” 1928-29
Image: Swann, New York

Artinfo.com
Published: February 24, 2010

Earlier this month, the biggest auction houses proved they were back on their game, posting strong numbers in London. Now their smaller brethren are proving that they can notch up sales too. Swann’s auction of African-American fine art took home a healthy $1.24 million total with buyer’s premium yesterday, just barely shy of its $1.3–1.9 million estimate. Of the 162 works on offer, 118 found buyers, netting the auctioneer a respectable 73 percent sold-rate by lot.

Malvin Gray Johnson, a member of the Harlem Renaissance, had a striking auction debut, as a collector paid $228,000 for his Swing Low, Sweet Chariot, 1928-29, which depicts a group of people pointing out at a dark, cloud-filled landscape. Swann declared it the artist’s “best known work,” and the bidder seemed to agree.

The somewhat peculiar premise of the auction led to an unusual mixture of artists, ranging across different time periods and styles. Jacob Lawrence’s circa 1941-42 gouache on board, Untitled (Two Card Players), went for $42,600, followed later by a choice David Hammons print from 1977, Untitled (Body Print), which earned a sporty $114,000, beating its $80,000–100,000 estimate with the addition of the buyer’s premium. It was the second most expensive lot of the evening.

Coming Soon: When Harlem Came to Paris 2010

Sunday, February 7th, 2010

HarleminParisTBA2010

Once again, Authentic Contemporary Art will be partnering with LilSoSo Productions and other sponsors to bring you When Harlem Came to Paris.

Check back for details soon.

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